Netty
and I chose to create a tool in the form of an annotated bibliography with a
certain twist, one that I think neither of us had seen explicitly before in
extant bibliographic tools. We wanted a bibliography that could categorize
entries based on the critical intertextual relationships of the kind that we
have been exploring together as a class since day one. The idea was deceptively
simple, which I think became more complicated as planning the tool took shape.
Our idea was to use hashtags modeled after the key questions that we ask in
class discussions and our intertextual conversation assignments. Does one
theorists' work represent a turning towards, a turning away from, a disruption,
continuance, etc., of another theorists' work? A hashtag such as #respondsto,
#complicates, or #turningtowards could be applied to a bibliographic entry in
order to explicitly related one author's work to another author's, or to larger
paradigms or trends in the field of composition, such as process or stage
models, or certain pedagogical strategies. Not only could users of this tool
search the hashtags for trending topics, as users of social media sites are
accustomed to doing, but they could also locate associated relationships
between authors, works, etc.
The apparent simplicity of this idea becomes complicated once you imagine the
overwhelming variety of relationships of this kind that explicitly or
implicitly exist. It takes a lot of time not only to read the author's works
and recognize these relationships, but to catalog them in this tool may be a
challenge for a person working alone. Fortunately, in order to make the tool accessible
to users, we decided to store it online in a wiki form because wikis allow
users to collaboratively produce and modify information over the web. The
decision to use a wiki to publish the tool opened new possibilities in terms of
audience and purpose for the tool. We had in mind that the tool would be
designed for an audience of users not unlike all of us, many of whom are grappling
with these shifting compositional theories for the first time. Having a tool that highlighted some of
these critical questions, turns, and relationships between texts and authors
would certainly be useful. Rather than doing the work for us, it could
potentially expedite our journey. However, since the tool exists within a wiki,
the journey is decidedly not a passive one for the users. They have the power
to create and reshape the relationships between entries by critically
evaluating them as they explore. The dynamic nature of the tool was to some extent accidental; it certainly emerged as we worked together to plan it and composed our plan together.
I
suppose I cannot help but think about the collaborative or social aspects of
writing when doing these exploratory assignments because they are always
undertaken with a classmate. One of the issues that the class discussion on
Tuesday illuminated for me was the apparently missing elements in Flower and
Hayes' model. From what I recall, several of us took issue with the failure of
the model to account for writing as a social process. Not having read Flower or
Hayes' later works, I do not know whether they eventually addressed this
discrepancy, but I am curious how they might respond to
these perceptions. Even if the model solely represents the cognitive processes
of an individual, where would collaborative, social interactions that occur
during the writing process exist within the model? The only three places that
make sense to me are the monitor, the writer's long-term memory, and the task
environment. None of these choices is entirely satisfying, hence the debate in
class and in other texts. However, there is another simpler explanation for how
social processes in writing fit in the model. While I agree that it is of
limited usefulness to have a model that tries to generalize cognitive processes
across all individuals who write, I think it is reasonable to treat the model
as such; that is, a model for cognitive processes within an individual. It
could be adapted to account for social processes by multiplying the model by
the number of individuals whose compositions are socially linked. Then the
models could be bound by circles and arrows drawn between them. In this way the
model retains its dynamism.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.