Creating
the interactive map allowed Mandy and I to make visual connections to the
underlying arguments presented within the readings for Week 6. We immediately found that we were both trying
to place the individual readings on a timeline, even though it was challenging
to see the theoretical connections based solely on time of publication. From this, the visual representation of a
geographical map evolved. The mode of
searching for identifiable key terms seemed to be the most effective way of
integrating each reading within the map and linking those terms with a
combination of authors and arguments. By identifying the key terms in each
reading, it became clear that each argument is uniquely situated within the
process-to-cognition discussion; placing these terms in the glossary of our
interactive map appeared to be the ideal starting point. Fortunately, Mandy and
I both resonated with the idea of instilling a collaborative component, which
would increase the amount of additional sources over time.
By
placing the authors and their arguments on a physical platform, an identifiable
network based upon their views was created.
For instance, assigning the key term “freedom” to Murray and Olson extended
my understanding of how this conversation has spanned decades. Murray describes the importance of freeing
students of rigidly assigned prompts and encouraging them to discover their
voices through trial and error (118).
Additionally, he states, “the writing teacher has to stop trying to
create a world in which success for the majority day by day is the norm,”
emphasizing the importance of the student’s responsibility during the composing
process (121). The conversation
continues thirty years later with Olson’s explanation of how “our attempts…to
help students become more dialogic and less monologic, more sophistic and less Aristotelian,
more exploratory and less argumentative, more personal and less academic…defies
even our most concerted efforts to subvert it” (9). While it is evident that this conversation has
continued for years, time has done little to settle the argument.
From
a 6-12 educator standpoint, it was enlightening to contend with conversations
addressing assessment in writing. Elbow introduces
and disproves the skewed “solution” to holistically scoring writing (i.e.
“’training’ the readers before and during the scoring sessions”) and how the
“purpose of the assessment and the system of communication” should not be the
basis of evaluation (189). This
agreeable argument prompted multiple questions; such as If holistic ranking is “bad” and evaluation is “good”, why are we still
ranking student work? Where do we go
from here? Why were we STILL grappling with this issue, after a solution was
explicitly laid out by Don Murray almost a quarter of a century prior? Although
incredibly frustrating to read, the interactive map was able to ground these
arguments and show how the uncertainty of this debate has continued to grow
with, unfortunately, no end in sight.
Because
the interactive map contributed to the grounding and overall understanding of
the concepts stated above, my hope is that the purpose of this hypothetical
tool could aid others in their search for clarification in these
discussions. Opening up these
conversations and placing them on a physical platform has the potential to
demonstrate purpose and overall awareness of the connections among the authors
of the readings in Week 6, as well as other resources that are contributed to
the map.
Works Cited
Elbow, Peter.
"Ranking, Evaluating, and Liking: Sorting out Three Forms of
Judgment." NCTE 55.2 (1993): 187-206. Web.
Murray, Donald M.
"Finding Your Own Voice: Teaching Composition in an Age of Dissent." NCTE
20.2 (1969): 118-23. Web.
Olson, Gary A. “Toward a
Post-Process Composition: Abandoning the Rhetoric of Assertion.” Post-Process Theory: New Directions for Composition
Research. Ed. Thomas Kent. Carbondale: Souther Illinois UP, 1999. 7-15.
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